Відео

👏👏👏молодец! 🌹🌹🌹

Wow no credits for Jon 😢

I've always thought Milstein was the one to top but now I would say they are twin brothers. Just magical and breathtaking ❤!

:39 decrescendo sublime

ВЕЛИКОЛЕПНО !

Pour sûr, lui n'était pas un "Fridolin". Oh mon Dieu ce chant divin jaillissait d'un ❤ complètement ÉPRIS, sans l'ombre d'un retour sur luii-même !

I wonder by which bow he played from down to up, or from up to down?????that's so mysterious. metaphysical tone might have been searched after at beginning of early 20 century.(91yrs.Japanese) nowadays there are so many accordion sound here and there in the bow string instrument world. that's my opinion. sssooorrryyyy strange English. anyway I would love to listen to early 20 cent. sound very very much.

Simplemente hermosa...

Rachmaninoff is a wonderful Player and Composer,thank 's😮 so much 😊

No one played like him

Rachmaninoff playing his own Piano Concerto 2, what a treat ❤

thank you!

Love this 🎻. One of my Favorites Hi play Wonderful❣️.

He was a friend to my parent's in the 1950's . I Like hi's violin music 🎻. Thank you for sharing ❣️. This is wonderful ❣️.

Thank you for this wonderful restoration ... much appreciated!

Literally two seconds in and my face went 😮

Rather rapid tempo...I wonder if he was limited by the side of a 78. But I thought that was more like 4 30 or so. So my guess is this is his desired tempo. I dont mind it at all. Interesting to hear. NO ONE plays like this any more, sadly.

Who is it 4:15, 5:24, 7:27?

👌👋

While Ian am _thrilled_ to hear this, and am so thankful for the digital work accomplished, still….I thought this was going to be the entire concerto, not one movement. I should have looked at the duration in the corner instead of only reading the title. It’s lovely to have the hair raise on my arms when the Great Man plays!

Brillante interpretación

Por siempre Magistral Violinista con un sonido y timbre fabuloso.

«Я - русский композитор, и моя родина наложила отпечаток на мой характер и мои взгляды. Моя музыка - это плод моего характера, и потому это русская музыка»

He played it in the date of my birthday (⁠ ⁠ꈍ⁠ᴗ⁠ꈍ⁠) makes me feel utterly happy

Had to look this up after stumbling over " _Musical Courier 1913_ " on Wayback Machine that praised Kreisler's amazing play. Specifically this is what the page said: KREISLER’S ART UNDIMMED. Violinist Opens American Tournee at Brooklyn Academy. In a recital at the Brooklyn Academy of Music, Fritz Kreisler opened the Greater New York concert season last Thursday evening, October 16. An audience, which not only filled every seat but included many who had to stand, gave a hearty welcome to the famous Austrian violinist. The program included many of those old classics wh‘ch Kreisler himself has dug out of the past and arranged to suit his own style. [t would be difficult to imagine anything more delicately beautiful than his playing of the “Chanson Louis XIII et Pavane,” by Couperin. This has been done in New York before by world renowned artists, but no one plays it just as Kreisler does. The same might be said of all of the arrangements from old and nearly forgotten melodies which he uses. The recital opened with Handel's sonata in D major, followed by Bach’s suite, E major. Next came a group of Kreisler’s relics of the past, including “Grave,” by Fried- mann Bach; “Prelude and Allegro,” by G. Pugnani; “Chanson Louis XIII et Pavane,” by Couperin; “La Chasse,” by J. B. Cartier”; “Sarabande and Allegretto,” by Corelli, and “Variations,” by Tartini. The second half of the program contained works of a more modern nature. Schumann's “Romance” (A major) was delightfully given, as was Mendelssohn's “Song Wit'- out Words” (B flat major), “Moment Musical,” by Schu- bert-Kreisler, and Mozart's rondo (G major). Then came “Canzonetta Indienne,” by Dvorak-Kreisler, and the pro- gram ended with those two well known Kreisler composi- tions, “Caprice Viennois” and “Tambourin Chinois.” Without mannerisms or superficial motions, Fritz Kreis- ler is as delightful in the grace of his bowing as he is in the finish of his musical art.

The violens are proof of Einstein. These days it feels like a little bit slow. It's tracking..Wonderfull.

Kreisler was the Rachmaninov of the violin. Heifetz was the Horowitz, and Elman was the Gieseking. All were amongst the most supreme artists of all time.

A great deal more expressive than the 1938 version.

He is consistently just a little sharp haha.

Rach 2nd and 3rd are my favorite piano Concertos. I've heard many pianists play it but to hear Rach himself play his own composition is to hear God himself.

thank you bwv1064 for your work, that we can listen Rachmaninoff in such good quality

Непревзойденное исполнение Великого композитора!

Рахманинов мой самый любимый композитор!

It is strange that we don't have any vidéo of Rachmaninov when Cortot was recorded more than once. But i just realize it was after WW2 and Rachmaninov passed before the end of the war.

Lovely

Fine transfer... thank you.

Perfection.

does anybody know, why, why there is not a single video of Rachmaninov playing piano?

His vibrato is amazing and the quality of it is magnificent.

To me-the superior example of beauty in violin tone production.Thank you for sharing this marvel.

Thank you Rachmaninoff , I love your music soo much and I am so lucky to hear your playing 💗💗

Que dulce y bello suena.

Prekrasno!

kreisler was 70 years old when he played this!!!

Wow y pensar que para esta grabación tenia 70 años!!!

こんな演奏が残ってるなんてすごいな

Here, Kreisler is 70 years old.

Unos de mis conciertos favoritos!! Que bello es escucharte Rachmaninoff GRACIAS!!!!

Just listened to Kreisler and Ms Mutter playing this piece, back to back. Kreisler’s playing is beguiling, his phrasing is natural and his tone is to die for.

A 450 ?